As of today, I've pulled my music catalog from Spotify.
I refuse to be an accomplice to the murderous whims of a CEO
who's gotten far too comfortable flaunting his stolen wealth and moral bankruptcy.
If you publish music on streaming platforms, I think you should follow suit.
Compromising on human rights isn't worth any amount of money,
but especially not the table scraps Spotify pays artists like us.
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Last week, I released my new song & interactive music video "EVERYTHING!" into the world. This 4-minute audiovisual experience is the culmination of months of self-discovery, experimentation, and artistic doubt. It's a deeply personal work of art, and one that I couldn't have made without the help of many of my friends. I'm proud of how it turned out.
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My song for ADOFAI's Neo Cosmos DLC is getting crossed over into Arcaea!
They even used the 3D artwork I made for the SoundCloud upload,
which is a nice touch.
Hope Arcaea players enjoy it!
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Today, I released my new song
relentless future (feat. EZGi)
and simultaneously announced my "album in progress"
Light & Matter.
There's a lot I want to leave up to interpretation or otherwise unspoken,
but equally as much that I want to say about it all.
So, here are my thoughts, organized roughly by subject:
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Recurring dates have held an almost superstitious position in my life
for as long as I can remember.
I'll give some examples:
for a few of my teenage years,
the 2nd day of a quarter (e.g. April 2, October 2, etc.)
had a reputation for being emotionally turbulent in some way.
A majority of my published simfile packs
were released on either January 1 or April 20 (try to contain your laughter);
little traditions etched into the calendar.
But there's one big recurrence in my life:
a comet, invisible to everyone but me,
that appears in the night sky every six years.
It's a deadline, and it arrives in 10 days.
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For music producers, new WIP feeling is the emotion associated with elevating a project file from a sketch to the start of a song โ a new work in progress. At least, that's what I call it in my head. I assume this feeling is more-or-less universal among us. Not everything you throw into the DAW works, and finding something that does work can feel a bit like hitting the bullseye on a moving target.
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